soundsock

midi wearable that engages body movement

Human body is the most ancient instrument. From clapping hands to traditional instruments to computer generated music system, there is a lack of real-time feed back
and tracking of the music composition. Soundsock, a MIDI wearable system, is an attempt to augment body motion and enhance music perception by transferring socking into a synthesizer just like a "motion" keyboard.
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Built upon the norm of taping and shaking feet along with music, Soundsock comes out as a MIDI wearable system. Soundsock is designed in a music synthesizer setting for sound composers to experiment unique design with body movement. Soundsock allows user to rapidly compose and adjust music designs in real-time wirelessly. The pitch movement, yield movement and roll motion of ones feet are detected and transferred into serial signals for music composition software like MAX/MSP and Pure Data.
KEYWORDS
sensor wearable; digital media; tangible user interface; interactive design; design computation; digital fabrication; audio product; MIDI; responsive environment; music composition; style transfer; signal processing
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Audio Product Design, Responsive Environments Group, MIT Media Lab

provide musical COMPOSITION
augment body motion
enhance perception

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1 Background | Define

  • DJs and musicians’ time consuming and complex preparation
  • Expensive instrumental wearable (MIDI gloves from $200-400)
  • Lacking of real-time feedback
  • Most MIDI wearable are still in object form/ upper body attachment
1,1 Goals
  • The product need to be very easy to understand and play
  • The product should function wirelessly within 1 meter from computers
  • The product should allow user to design their own music
  • The product should be lightweight and sturdy
  • The product should based on user’s movements (velocity and bending angle)
  • The product shall cost bellow $200
1.2 Target Audience
  • Mainly 18-35 Female
  • Mother
  • Independent business people
  • Wearable lovers

// Expected sell units: 50

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interactive
responsive feedback
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2 Proposal

2.1 Assembly List
HC-05
Bluetooth
Quantity
Price
Details
Sum
Info
Microcontroller
(AdafruitFeather M0 Basic)
2
19.95
Has charging circuit
39.9
3.3v
16
2
Should be used as master and slave
8
3-axi
Accelerometer
2
7.95
Require output in the format of roll and pitch movements
15.9
Lipo
Charger
2
7.95
500 mA
15.9
Power
switch
Conductive
Thread
1
Long Flex
sensor
2
12
47k resistor need voltage divider circuit
24
Stocking
Thin Fabrics
6
4/80ft
6
51.85 persock (sell 90-180)
Feather M0
Long Flex Sensor
Lipo Charger
Conductive Thread
3axi Accelerometer
HC-05

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2.2 Interface | Audience

The product can transfer serial data to popular MIDI platforms like MAX MSP (Fig. 2) with a sound generator system that has eight nodes. User can design and play with customized sound or manipulate soundtracks in real-time and also apply the methodology and create their own sound generator system.

User input:

  • Bend feet(flex sensor) - Roll(acc) - Pitch(acc) - Yield(acc)

Audio output:

  • Manipulated Sound A1 - Manipulated Sound B1 - Manipulated Sound C1 - Manipulated Sound D1 (left foot)
  • Manipulated Sound A2 - Manipulated Sound B2 - Manipulated Sound C2 - Manipulated Sound D2 (right foot)

Prototyping.         In order to test and calibrate the serial signals through bluetooth connecting via minimized hardware, the prototyping process went through different micro-controller modules and bluetooth modules. Besides accelerometers, flex sensors are adopted on to ankle parts as the drum/pause nodes for music composition.

Figure 1: Serial Data Prototype with bluetooth, flex sensor and accelerometer
Figure 2: Serial Data Manipulation in MAX/MSP

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2.3 Simulation

The transferred movement is monitored and analyzed for MIDI calibration. For each feet, the pitch motion and yield motion is set to 0 and 1. The roll motion and ankle taping is set to a scale of 0-8.

Figure 3: Serial Data Simulation

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3  ANALYSIS

Place like Kickstarter/Etsy is suitable for this handmade product. However, some people have limited knowledge about MIDI can find it hard to work with. Further development of this product system will look into building the synthesizer system via simple app on phone as a more friendly user interface.

‍ACKNOWLEDGEMENT

This work was partially supported by Responsive Environments Group at the Massachusetts Institute of Technology Media Laboratory, under its Fall 2018 Course MAS. S70 Audio Products Design course.

Yiqi, designer, technologist, artist.

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